{"id":105179,"date":"2024-04-27T18:10:37","date_gmt":"2024-04-27T22:10:37","guid":{"rendered":"https:\/\/minzhuzhongguo.org\/?p=105179"},"modified":"2024-04-27T19:24:36","modified_gmt":"2024-04-27T23:24:36","slug":"%e5%bb%96%e4%ba%a6%e6%ad%a6%e7%9a%84%e5%85%ac%e5%bc%80%e5%a3%b0%e6%98%8e%e5%92%8c%e5%85%ac%e5%bc%80%e4%bf%a1-%e3%80%8a%e6%ad%a6%e6%b1%89%e3%80%8b%ef%bc%9a%e4%b8%80%e6%9c%ac%e8%a2%ab21","status":"publish","type":"post","link":"https:\/\/minzhuzhongguo.org\/?p=105179","title":{"rendered":"\u5ed6\u4ea6\u6b66\u7684\u516c\u5f00\u58f0\u660e\u548c\u516c\u5f00\u4fe1\u2014\u2014\u300a\u6b66\u6c49\u300b\uff1a\u4e00\u672c\u88ab21\u5bb6\u82f1\u6587\u51fa\u7248\u793e\u62d2\u7edd\u7684\u4e66\u7ec8\u4e8e\u51fa\u7248\u4e86\uff08\u4e2d\u82f1\u6587\uff09"},"content":{"rendered":"

\"\"<\/p>\n

\u516c\u5f00\u58f0\u660e<\/strong><\/p>\n

\u300a\u6b66\u6f22\u300b\uff1a 21\u5bb6\u82f1\u6587\u51fa\u7248\u793e\u9000\u7a3f\u7684\u66f8\u7d42\u65bc\u51fa\u7248\u4e86<\/p>\n

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\u6211\u4f1a\u6c38\u8fdc\u8bb0\u5f97\u5fb7\u56fdS Fischer\u51fa\u7248\u793e\u5bf9\u6211\u7684\u4fe1\u4efb\uff0c\u4ed6\u4eec\u57282022\u5e741\u670826\u65e5\u53d1\u8868\u4e86\u300a\u6b66\u6c49\u300b\uff0c\u5f15\u8d77\u5de8\u5927\u7684\u53cd\u54cd\uff0c\u51e0\u4e4e\u6240\u6709\u7684\u5fb7\u8bed\u5a92\u4f53\u90fd\u53d1\u8868\u4e86\u62a5\u9053\u548c\u8bc4\u8bba\u3002 \u745e\u58eb\u7684\u300a\u65b0\u82cf\u9ece\u4e16\u62a5\u300b\u5728\u540c\u65e5\u53d1\u8868\u4e86Katharina Borchardt\u7684\u8bc4\u8bba\u6587\u7ae0\uff0c\u6587\u7ae0\u5f00\u5934\u5c31\u63d0\u5230\u300c\u5361\u5c14\u68ee\u7684\u5c48\u4ece\u300d\uff1a<\/p>\n

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Madeline Sharaga\u5973\u58eb\u5728\u7ed9\u6211\u7684\u8fd9\u5c01\u957f\u4fe1\u4e2d\u8bf4\uff1a\u4eb2\u7231\u7684\u4ea6\u6b66\uff0c\u8bf7\u968f\u65f6\u63d0\u4f9b\u60a8\u7684\u4efb\u4f55\u610f\u89c1\u6216\u56de\u9988\uff0c\u6211\u4eec\u4e00\u5b9a\u4f1a\u5c3d\u529b\u91c7\u7eb3\u60a8\u7684\u5efa\u8bae\u3002<\/p>\n

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\u8c22\u8c22\u60a8\u7684\u9605\u8bfb\uff01<\/p>\n

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\u5ed6\u4ea6\u6b66<\/p>\n

26 \u56db\u6708 2024<\/p>\n

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\u516c\u5f00\u4fe1<\/strong>
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\u6211\u5c06\u6c38\u8fdc\u8bb0\u5f97\u5fb7\u56fd\u51fa\u7248\u5546 S Fischer \u5bf9\u6211\u7684\u4fe1\u4efb\uff0c\u4ed6\u4e8e 2022 \u5e74 1 \u6708 26 \u65e5\u51fa\u7248\u4e86\u300a\u6b66\u6c49\u300b\uff0c\u5f15\u8d77\u4e86\u5de8\u5927\u7684\u53cd\u54cd\uff0c\u51e0\u4e4e\u6240\u6709\u5fb7\u8bed\u5a92\u4f53\u90fd\u6709\u62a5\u9053\u548c\u8bc4\u8bba\u3002\u745e\u58eb\u62a5\u7eb8\u300a\u65b0\u82cf\u9ece\u4e16\u62a5\u300b\u5728\u540c\u4e00\u5929\u53d1\u8868\u4e86\u5361\u5854\u7433\u5a1c\u00b7\u535a\u5c14\u67e5\u7279\uff08Katharina Borchardt\uff09\u7684\u4e00\u7bc7\u6587\u7ae0\uff0c\u6587\u7ae0\u4ee5\u201c\u5361\u5c14\u68ee\u7684\u5c48\u670d\u201d\u5f00\u5934\uff1a<\/p>\n

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\u5ed6\u4ea6\u6b66<\/p>\n

26 \u56db\u6708 2024<\/p>\n

\n
\"\"<\/div>\n
<\/div>\n
The documentary novel Wuhan has been rejected by 21 English-language publishers.<\/strong><\/div>\n
<\/div>\n
I also know that Catch-22 was rejected twenty-two times, comparable to Wuhan; Anne Frank’s Diary was rejected fifteen times by English language publishers after it had been published in Europe; Elie Wiesel, author of a widely-publicized memoir, Night, about his experience as a Nazi concentration camp survivor, He explains that the reason this masterpiece has been rejected so many times is because \u201cthe Holocaust is not far behind us.\u201d<\/div>\n
<\/div>\n
<\/div>\n
1) Atria (part of Simon & Schuster)<\/div>\n
Comment:Thank you for sending this our way. I’m going to take a pass, but we loved working with Liao. Please keep trying us.<\/div>\n
<\/div>\n
2) Pantheon<\/div>\n
<\/div>\n
3) Hogarth\/Crown<\/div>\n
<\/div>\n
4) Graywolf<\/div>\n
<\/div>\n
\u00a0 \u00a0 \u00a0 \u00a0 Comment: Thanks for your patience\u2014I did take a look at what you sent me and have been meaning to write you a note. It\u2019s a fascinating look at the first days of the pandemic in China, and an all-too-real satirical take on the government crackdown on Wuhan. I was surprised and impressed that Liao Yiwu wrote this novel so quickly, but the plot and characters felt a bit too single-minded to me in the end, which drained the energy from it for me. Thank you, though, for thinking of us, as it was a pleasure to see Liao’s latest work.<\/div>\n
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<\/div>\n
5) World Publications<\/div>\n
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<\/div>\n
6) Amazon Crossing<\/div>\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Comment: I\u2019ve been on the fence \u2013 the read is so strong! But Amazon Publishing shies away from current events and topical books, so I\u2019m going to pass for Crossing. Thank you so much for sending it along, and do keep me in mind for future projects, including Liao Yiwu\u2019s future books.<\/div>\n
<\/div>\n
7) Norton<\/div>\n
<\/div>\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Comment: My apologies if I haven’t responded to you about this yet, but I did dive in soon after I received it.\u00a0 \u00a0I’m sorry to say though that I just didn’t see the writing as fabulous enough to carry it as literary fiction.\u00a0 \u00a0Boy, though, it did manage to ratchet up my anxiety — did people really fall dead in the street like that, and whole families die overnight?\u00a0 I did find it hard to get my footing in terms of what was reportage, and what was meant to be a surrealistic riff on events — the underlying sensibility perhaps somewhat escaping the translation.<\/div>\n
<\/div>\n
8) Houghton Miflin<\/div>\n
<\/div>\n
9) Penguin\/Viking<\/div>\n
<\/div>\n
10) Flatiron<\/div>\n
Comment: Many thanks for sending this my way and million apologies for my slow reply. Unfortunately, I’m a little reticent about publishing this given how selective I’m trying to be about Covid-related literature at the moment. I’d have to feel very connected to the material and writing in a way I just didn’t feel here in order to jump on board, but I have no doubt it will find its true editorial champion elsewhere.<\/div>\n
<\/div>\n
11) Riverhead\/Penguin<\/div>\n
<\/div>\n
12) Robin Desser, Random\u00a0 (Hogarth and Ballantine)<\/div>\n
<\/div>\n
13) Avid Reader (S&S)<\/div>\n
<\/div>\n
14) Henry Holt<\/div>\n
Comment: Thanks so much for sending Liao’s work. I’ve yet to see a novel that captures today’s sense of mass hysteria so skillfully, and as someone with a background in Chinese literature, I was especially excited to read. But, that all being said, I unfortunately struggled to focus amidst all the different absurdist elements Liao incorporates. The voice, while purposefully cool and distant, made it difficult to connect Ai Ding during his quest toward Wuhan. And without that emotional link, I simply could not suspend my disbelief.<\/div>\n
I’m sorry not to be writing with better news. But thank you again for the opportunity.<\/div>\n
<\/div>\n
15) Stanford U Press<\/div>\n
<\/div>\n
16) NY Review Books<\/div>\n
<\/div>\n
17) Harper Via<\/div>\n
<\/div>\n
\u00a0 \u00a0 \u00a0 \u00a0Comment: Thank you so much for sending Liao Yiwu\u2019s novel my way! The pages are quite cinematic and provocative and Yiwu is clearly a force – I can see why the book is receiving so much buzz. That said, despite admiring the pages, I did not see a clear vision to making this a success here, though I very much hope another publisher will.<\/div>\n
<\/div>\n
18) Restless Books<\/div>\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Comment: I appreciate the material but I will pass. We have already done an international volume on the pandemic, which was very successful. (I also just saw the Chinese documentary Wuhan, Wuhan.)<\/div>\n
<\/div>\n
19) Spiegel & Grau<\/div>\n
<\/div>\n
20) Archipelago<\/div>\n
\u00a0 \u00a0 \u00a0 \u00a0Comment: Thanks for the follow up. Alas, I’m afraid we’re not going to bite. I have a feeling that you’re right– I suspect the book will do well here and elsewhere, but I know we aren’t the ideal publisher for it.<\/div>\n
<\/div>\n
21) Seven Stories<\/div>\n
\u00a0Comment: We’ve had a good read of\u00a0 Liao Yiwu’s Wuhan. Several of us have read parts, and one member of the editorial team read it all. She also happens to be familiar with, and an admirer of The Corpse Walker. So I feel we did really put the book through its paces here.<\/div>\n
\u00a0 \u00a0 \u00a0Wuhan is an important book\u2014and it’s exactly the kind of project that we do here at Seven Stories. I admire Hans Juergen for doing it, and getting it out as quickly as he did. Wuhan tells the untold story, the human story, it shines a bright light on the lie, and represents the courage and tremendous sacrifices of those who stood up to the lie.<\/div>\n
\u00a0 \u00a0 \u00a0At the same time, and although the structure of the book, built as it is around the four human stories, is sound, it seems to have been written in haste. At first I thought it was the translation, but in the end I think the translation is fine, but that the book itself embodies the author’s decision in a sense to leave nothing out, and this poses a problem for the reader and for us as prospective publisher. I just don’t think we would be able to get the attention paid that the essence of the book deserves. If we were already Liao Yiwu’s publisher, we’d have done this in a heartbeat, even given what I see as its flaws. If we had a close working relationship with the author, we’d have worked through a second draft with him that I think would have been impactful, but even then the process would almost certainly have taken us to a publication date sometime in 2024, making it more of a footnote than the frontal assault this book cries out to be.<\/div>\n
\u00a0 \u00a0 \u00a0I’m afraid we have to pass. I say that with regret, hoping you can understand our decision.<\/div>\n
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