{"id":42495,"date":"2014-09-26T16:55:00","date_gmt":"2014-09-26T16:55:00","guid":{"rendered":"http:\/\/127.0.0.1:10081\/?p=42495 "},"modified":"2014-09-26T16:55:00","modified_gmt":"2014-09-26T16:55:00","slug":"42495-revision-v1","status":"publish","type":"post","link":"https:\/\/minzhuzhongguo.org\/?p=42495","title":{"rendered":"Ai Weiwei\u2019s Songs of Freedom on Alcatraz"},"content":{"rendered":"<div>September 25, 2014<\/div><div>&nbsp;<img decoding=\"async\" src=\"http:\/\/mzzg.org\/UploadCenter\/ArticlePics\/2014\/39\/2014926Trace3.jpg\" alt=\"2014926Trace3.jpg (640&#215;424)\" \/><\/div><div><\/div><div><\/div><div>A view of Ai Weiwei&#8217;s large &#8220;Trace&#8221; (2014) on Alcatraz (all photos by the author for Hyperallergic unless otherwise noted)<\/div><div>&nbsp;<\/div><div>SAN FRANCISCO &#8212; It&#8217;s a surprisingly clear morning as we exit the ferry to Alcatraz, but the former federal prison still looms like eerie, ancient ruins. A large crowd gathers to hear a tour guide introduce this place that held men captive for thirty years. &#8220;The torture was really seeing the boats go by,&#8221; the guide says as seagulls caw above our heads, another thing that likely tormented prisoners.<\/div><div>&nbsp;<\/div><div><\/div><div>Birds reappear as we enter the press preview of @Large: AiWeiwei on Alcatraz (pronounced &#8220;At Large&#8221;), an exhibition of seven new installations in which freedom is a central theme. The birds are actually paper kites, suspended mid-flight and bathed in surreal colors. They&#8217;re paired with a large dragon kite that winds through the rusted ceiling pipes of the long industrial room that was once used for prison labor.<\/div><div>&nbsp;<\/div><div><\/div><div><\/div><div>&nbsp;<img decoding=\"async\" src=\"http:\/\/mzzg.org\/UploadCenter\/ArticlePics\/2014\/39\/2014926Alcatraz.jpg\" alt=\"2014926Alcatraz.jpg (640&#215;424)\" \/><\/div><div><div>A view of Alcatraz from the ferry (click to enlarge)<\/div><div>&nbsp;<\/div><div>&nbsp;<\/div><\/div><div>Ai has left code messages and quotes on select pieces of the dragon&#8217;s individual, handcut circles, which form its body. Some may require googling (&#8220;Ze Du Out. Disgusting Dictator. &#8212; Nito Alves&#8221;), while others are obvious (&#8220;Every one of us is a potential convict. &#8212; Ai Weiwei&#8221;). The brightly colored &#8220;With Wind&#8221; is a stark contrast to the bleak concrete and glass building, and they ease us into a show that gradually embraces its environment as it progresses. Of course, Ai has never stepped foot on this island &#8212; he&#8217;s still not allowed to leave China &#8212; but he seems to understand it, from his own 81-day jail sentence and from the videos, images, and history books shared by curator Cheryl Haines, who carried out his vision.<\/div><div>&nbsp;<\/div><div><\/div><div><\/div><div><\/div><div>&nbsp;<\/div><div><div><\/div><div><\/div><div><a href=\"http:\/\/hyperallergic.com\/151468\/ai-weiweis-songs-of-freedom-on-alcatraz\/\">Continue reading the original article<\/a>.<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>&lt;div&gt;Birds reappear as we enter the press preview of @Large: AiWeiwei on Alcatraz (pronounced &amp;#8220;At Large&amp;#8221;), an exhibition of seven new installations in which freedom is a central theme. The birds are actually paper kites, suspended mid-flight and bathed in surreal colors. They&amp;#8217;re paired with a large dragon kite that winds through the rusted ceiling pipes of the long industrial room that was once used for prison labor.&lt;\/div&gt;<\/p>\n","protected":false},"author":24,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[14],"tags":[],"class_list":["post-42495","post","type-post","status-publish","format-standard","hentry","category-ChinaHumanRights","et-doesnt-have-format-content","et_post_format-et-post-format-standard"],"_links":{"self":[{"href":"https:\/\/minzhuzhongguo.org\/index.php?rest_route=\/wp\/v2\/posts\/42495","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/minzhuzhongguo.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/minzhuzhongguo.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/minzhuzhongguo.org\/index.php?rest_route=\/wp\/v2\/users\/24"}],"replies":[{"embeddable":true,"href":"https:\/\/minzhuzhongguo.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=42495"}],"version-history":[{"count":0,"href":"https:\/\/minzhuzhongguo.org\/index.php?rest_route=\/wp\/v2\/posts\/42495\/revisions"}],"wp:attachment":[{"href":"https:\/\/minzhuzhongguo.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=42495"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/minzhuzhongguo.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=42495"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/minzhuzhongguo.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=42495"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}